Canon EF-S 17-55mm f/2.8 IS USM Lens for Canon DSLR Cameras
List Price: $ 1,900.00
Price: $ 1,040.00
Product Description
To meet user demands for a fast EF-S zoom lens, Canon has specially designed a new lens with a large aperture of f/2.8 for select Canon Digital SLR cameras. The large circular aperture produces a shallow depth-of-field, creating background blur that draws attention to the photographic subject. The lens construction includes UD and aspherical elements, which deliver impressive image quality throughout the entire zoom range. Image Stabilizer lens groups shift to compensate for camera movement so that the image appears steady on the image plane, ensuring clear, crisp images, even in dim light. With a Ring-type USM, inner focusing and new AF algorithms, this lens achieves autofocus quickly and quietly, and with full-time mechanical manual focusing, manually adjusting the focus is possible even in AF mode.Designed to meet consumer demands for a fast EF-S zoom lens, the EF-S 17-55mm offers image quality on par with Canon‘s highly regarded L-series lenses. The lens features a large circular aperture that produces a shallow depth of field, creating background blur that draws special attention to the photographic subject. The lens construction, meanwhile, includes UD and aspherical elements that deliver impressive image quality throughout the entire zoom range. And thanks to the Image Stabilizer lens groups–which shift to compensate for camera shake–the image appears crisp and clear on the image plane, eve in dim light. Finally, the lens offers a ring-type ultra-sonic monitor (USM), inner focusing, and new AF algorithms to help achieve autofocus quickly and quietly, along with full-time mechanical manual focusing that makes it possible to manually adjust the focus even in AF mode. As with all Canon lenses, this lens carries a one-year warranty.
- Focal length: 17-55mm
- Maximum aperture: f/2.8
- Lens construction: 19 elements in 12 groups
- Diagonal angle of view: 78 degrees (at 30 feet) to 27 degrees (at 50 feet)
- Focus adjustment: AF with full-time manual
- Closest focusing distance: 1.15 feet
- Zoom system: 5-group helical zoom (front group moves 27mm)
- Filter size: 77mm
- Dimensions: 3.3 inches in diameter, 4.4 inches long
- Weight: 22.8 ounces
Feature
- 17-55mm wide-angle zoom lens with f/2.8 maximum aperture for Canon DSLR cameras
- AD and aspherical elements deliver impressive image quality through entire zoom range
- Image Stabilizer lens groups shift to compensate for image shake even in dim lighting
- Large circular aperture produces shallow depth of field; ring-type ultra-sonic monitor (USM)
- Measures 3.3 inches in diameter and 4.4 inches long; weighs 22.8 ounces; 1-year warranty
- Large circular aperture produces shallow depth of field, ring-type ultra-sonic monitor (USM)
- Measures 3.3 inches in diameter and 4.4 inches long, weighs 22.8 ounces; 1-year warranty
List Price: $ 1,022.95
Price: $ 1,022.95
Product Description
L1) 17-50MM F2.8 DI II F/CANON
Feature
- 17-50mm aspherical zoom lens with f/2.8 maximum aperture for Canon DSLR cameras
- Delivers fast shutter speeds and natural soft-focus effect to produce sophisticated results
- 3 elements of XR glass, 2 hybrid aspherical lens elements, and 1 element of LD glass
- Minimum focus distance of 10.6 inches; internal coatings eliminate ghosting and flare
- Measures 2.9 inches in diameter and 3.3 inches long; weighs 15.2 ounces; 6-year warranty
- Minimum focus distance of 10.6 inches, internal coatings eliminate ghosting and flare
- Measures 2.9 inches in diameter and 3.3 inches long, weighs 15.2 ounces; 6-year warranty
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6 Comments on “Canon EF-S 17-55mm f/2.8 IS USM Lens for Canon DSLR Cameras”
The best Lens for 1.6x Crop Canon DSLRs,
I received my Canon EF-S 17-55mm f/2.8 IS USM lens today (12/28/06). It feels heavier by far than the 18-55mm kit lens, but lighter than I expected. Feels good (well-balanced) cradling the lens in the left hand near the base of the lens when mounted to my Canon Digital Rebel XT. I put the lens on the camera right away in a manner that would limit the opportunity for dust to intrude on the back of the lens or into the camera, since I’ve read about this lens not being sealed as well as “L” series Canon lenses. I may never take it off. 8-)
This lens focuses fast and sure–even in low light, no hunting around to lock onto a subject. Pictures taken with the camera hand-held at 1/10 to 1/15 sec shutter speeds inside with no flash were tack-sharp (Thanks to the IS). With F2.8 and IS, this lens opens up a whole new world of natural low-light photography. Not only are more inside shots possible, you also have the versatility to create gorgeous bokeh. You create these bokeh effects generally zoomed to 55mm (where the kit lens’ max aperture is F5.6). Since the EF-S 17-55mm f/2.8 has a constant F2.8 max aperature, you don’t have to worry about the depth of field increasing as you zoom. It is so confidence-inspiring to walk around and set your aperture where you want it to give you the depth of field you want, and not really worry about the shutter speed being too slow. Some of my outside dusk (low-light) shots at 1/6 sec shutter and F22 came out sharp (Thanks again to IS). I almost got vertigo when I first looked at my pics uploaded to my PC–they were so realistic. Images really pop!
The decision to go with this lens instead of some of the “L” grade lenses involved the following criteria:
1. Focal Length Range. I wanted at least the range of the 18-55mm kit lens.
2. Max Aperture. I wanted f/2.8, since f/4 is too confining for low-light situations. Also, f/4 doesn’t give you the depth of field limiting ability of f/2.8. Trade-off is size and weight (and price).
3. Constant Max Aperture. I wanted a constant max aperture throughout the zoom range. I don’t want to set the aperture and have the camera stop it down due to the max aperture decreasing as you zoom in (as is the case with the kit lens).
4. USM. I wanted the Ultrasonic Motor (USM) feature, since this is known to be the fastest and quietest autofocus technology.
5. IS. I wanted Image Stabilization (IS), since this effectively makes your lens faster, because you can shoot in lower light at lower shutter speeds without fear of blur (provided the subject is still). Also, zoomed-into 55mm, camera shake can be more of a problem than at shorter focal lengths. IS has got you covered there as well. This lens only has one IS mode (no mode for panning).
6. Full Format or Crop-optimized. It is true that going with a full format lens would mean that you could use it on any DSLR (35mm film, APS-C DSLR, and Full Format DSLRs such as the 5D and 1Ds Mark II). However, full format lenses are not optimized for the 1.6x crop of the Canon DSLRs Rebel through 30D. The crop-optimized lenses (designated by the “EF-S” in the model name) are tailored to the smaller image sensors of the APS-C camera bodies. The lens elements and coatings are designed to minimize the ghosting and flare that can come from reflections off of the image sensors in digital cameras. Also, the crop-optimized lenses tend to be smaller, lighter and less expensive than otherwise identical full format lenses. I considered the EF 17-40mm f/4L, the EF 24-70mm f/2.8L and the EF 24-105mm f/4L. But, none of these had the focal length range I wanted, and two of them weren’t fast enough (f/4), and the EF 24-70mm f/2.8L was very heavy (2.1 lbs). I determined there was no need to sacrifice performance now for some possible benefit later on if I purchase a full format camera. If I ever do, I would hope there would be full format lenses that have been designed to limit chromatic aberrations and introduce other digital optimizations currently provided by the crop-optimized APS-C format-only lenses. Besides, you can always continue to use your old camera and lens as a back-up, or you can sell them to help purchase the new ones.
7. Grade (“L” series or Advanced Amature). Of course, if all else is equal, take the “L” lens with the red stripe. But, all else is not equal. I’d rather have an optically superior lens that is well-built (although not as well as an “L” series) that meets all my other criteria, and just be careful to keep the dust out. The EF-S 17-55mm f/2.8 is expensive (I paid $[...] on [...]). But, I’m sure if there were an “L” series version of this lens, it would be even more expensive.
Conclusion: This is one great lens! There’s nothing else out there for 1.6x crop digital cameras that gives you the sweet spot of zoom range, low light capability, depth of field control, image…
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|Upgrading your lens for Rebel XTi? 17-85 USM IS vs 28-135 USM IS vs 17-55 2.8f USM IS vs 24-105 4.0f USM IS,
Folks, I know you want it short. But I am covering quite a bit of information and condensed it so that you can get good information and are able to digest it in less than 5 min.
It is quite surprising how many people are being “tortured” with the question on which lens is the right lens when it comes to finding the perfect lens to upgrade the Canon XTi Rebel kit lens (18-55) or even for the Canon 40D (which is often sold with the 28-135 USM IS lens).
I read about 500+ reviews and many of them I found very interesting but really did not answer my question on what a good lens is for the Rebel XTi… and with good reasons because YOU have to know what you want or need and then make a call. Here were the criteria I used and I hope you can leverage from these:
1. I wanted a lens which has a great picture quality to have a true upgrade feeling from the Canon 18-55 kit lens (during day light that lens is actually very good and with its light weight is a great carry around lens – however in low light or for really nice portrait shots this lens has limitations not to mention its built quality)
2. I wanted a versatile “Walk Around” lens with good zoom range to cover most of the picture I take (landscape and portraits) in addition to my telephoto lens (70-300mm)
3. If possible a low weight lens – however image quality was a higher priority for me
4. I wanted a Canon lens (though there are very good alternatives from Tamron and Sigma – however they have some disadvantages but given the lower price worth considering)
5. I wanted an Image Stabilizer (IS) and a low noise focus motor, i.e. Canon’s USM
Many people are looking for a great “Walk Around” lens to avoid changing lenses all the time yet at the same time want great picture qualities. So, your criteria may be different and therefore your choice certainly a good one may differ from mine.
As one disclaimer upfront – I am not going into the professional details, i.e. vignetting differeneces at different aperture values or zoom ranges – to make it simple for many readers in this field who just want to make a good decision to buy a great lens without going through the trouble of returning lenses.
You will find many reviews on the cropped camera lenses (EF-S) and still people often don’t get it right. So, if you have a cropped camera like the Canon Rebel XTi or Canon 40D then the cropped factor is 1.6. In other words no matter what lens you put on these cameras you will get the following zoom ranges which are different from the product names for the lenses:
Canon Lens Min Zoom Max Zoom
17-85: 27.2 – 136
28-135: 44.8 – 216
17-55 f2.8: 27.2 - 88
24-105 f4.0 L: 38.4 - 168
Source: Canon’s website
I went through the extra burden of testing all the lenses myself and not just rely on reviews. So, I went ahead and rented them for 1-2 days and then made up my own verdict so to speak. I also took pictures in similar conditions, looked at them on the computer and printed them out to compare the lenses:
1) The first upgrade lens from Canon which comes to mind is the EF-S 17-85 USM IS f3.5-5.6 lens. This lens would have been a great kit lens but did not meet my requirements for an upgrade lens. It has a very good zoom range and it is still light weight. But the image quality is not as sharp as I would like it to be. And if you commit to spend more money (like $500 for this lens) then you don’t want to waste it by just getting a bit more zoom range and an Image Stabilizer.
2) The first lens I actually tried was the EF 24-105 f4.0 USM IS L (luxurious) lens from Canon and I was really happy about the image quality. I was very close to buy this lens but wanted to check out other lenses first. Following drawbacks for me: it is not a wide-angle lens which is useful for landscape shots or even travels shots when you can’t afford walking back 5-10 feet. Plus a wide angel lens can give you a nice effect on the picture itself. Another drawback is the aperture value of f4.0 in low light. An aperture factor of f2.8 is faster in low light (the lower the value the larger the aperture – think the Iris of your eye is getting larger and therefore you can see better in low light) and with a running kid or pet at home that is a true advantage. However, with the Image Stabilizer this would not be a big issue. (For more advanced people you can stop down one step to get enough light into the lens in low light conditions but if the object is in motion that may be tricky.)
A big plus however is the option to use this lens for any non-cropped canon camera. However, I am ok with using the Rebel XTi and if I want to upgrade to another body later then the 40D would be a great way to go. So, I don’t mind to buy EF-S lenses. The EF-S lenses have the…
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|Fantastic Low Light Lens,
11-3-2008 Update:
I now have a single spec of dust inside the corner of this lens under the front element. Hope this is not a trend. I am now using this lens mainly in dust free in-door environments and my Canon 24-70 F/2.8 which is sealed for outdoor dusty areas.
I just got this fantastic low light lens last week. Will be adding more comments as time permits.
This lens has quickly become one of my most used lens. It’s the lens I would choose if I could just choose one to shoot a wedding with and I’m free to approach the bride and groom during any part of the ceremony. It’s also THE one lens I would choose to take on a vacation, it’s that versatile. I love the part where I can walk into a dark cathedral and hand hold a shot at 1 second and it’s razor sharp. What a lens!!!
Pros:
Sharp even at F/2.8
No internal dust so far
Great zoom ring location and size
Very pleasing shots with nice Bokah
Auto focus perfect! Silent quick lock even in dim conditions
Image Stabilization let’s you get those shots you couldn’t get otherwise.
Auto Lens Vignetting correction using peripheral Illumination control see Auto Vignetting comments below:
Cons:
Cheap plastic construction
No dust yet but I am concerned
Some Chromatic Aberration (CA) at 17mm
No included lens hood? Give me a break Canon!
Really poor zoom feel grabs between 23 and 35mm
Front of lens extends inward and outward when zooming in and out
I bought this lens to take low light portraits during weddings. My initial impression is that this lens will be perfect. I even managed to pull off a 2 second exposure that was pretty sharp hand held which I would never be able to do otherwise. I will use it at the extreme in 55mm for nice bokah and a softer shot then keep it between 20mm to 48mm for the sharper shots.
What a disappointment to pay over $1,000 for a lens and have such a poor feeling zoom. It grabs at each end and just plain feels cheap. Makes my Canon 17-40 F4 L lens zoom feel like it’s perfect as it is silky smooth. But, the 17-55 F/2.8 IS does something I could not do with the 17-40. I was at a bar the other night shooting a benefit auction using just available bar light and already at 1600 ISO and the Canon 17-40 wide open just could not get the shot. With the 17-55 F/2.8 IS not only do you have the faster aperture F/2.8 but I can get shot after hand held shot at a half a second something I could not come close to with the 17-40.
All in all though except for the zoom and construction this lens really does rock when you look at the photos. Between 20mm and 40mm it is sharper then the 17-40 at any comparable F stop. So don’t let my cons keep you from getting this lens. If you need low light shots in the 17-55 range this is your only option in a zoom. It’s a shame that Canon does not offer an L lens that’s 17-55 F/2.8 with IS. I would have gladly paid $1500 for an L lens. In the long lens range there are tons of choices from Canon that are L lens. It’s true what they say Canon owns the long lens but come up a little short with the wide angles
I do my first wedding next Saturday with this lens, time will tell if it’s a keeper. Will post updates in the coming weeks.
3-25-2008 Update
What a great lens, after reviewing wedding photos yesterday with my clients I have to agree the photos just pop in color and the sharpness is crazy with this lens between 20 and 50mm even wide open which is what I shot most of the time. The bokeh though not as good as my Canon 85mm F/1.2 and Canon 135mm F2 is still pleasing and unlike the two primes I can stand in one place during the wedding and zoom in and out for different points of view.
What ever you do don’t even confuse this F/2.8 IS lens with the basic kit lens. It is truly except for the lack of weather sealing and poor zoom feel an L lens in photo quality!
4-8-2008 Update
Still no dust thank God! I am taking it to a local park to photograph our company party this weekend and it’s very dusty there. Should be a good chance to see if the lens is going to be a dust hog or not. The zoom even seems to breaking in a little and is now just a little smoother, nothing like my L lens zooms but better then when new. Still loving this lens and in fact if I had to choose just one lens to do a wedding this would of course be it, it’s the most versatile and easiest to use by far!
5-21-2008 Update
Still NOT one single spec of dust in this lens. I have been using outdoor at the park and on outdoor weddings the last 5 weekends in a row and not a single spec of dust despite being in extremely dusty Mesa Arizona. I am constantly amazed at what this lens can get away with in low light. We were shooting the reception to an…
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|Talk about bang for your buck!,
This is the kind of lens that makes me wish Canon would understand their market better. Instead of putting out a 17-55mm zoom that everyone can afford, they put out a EF-S non pro lens at a pro price, which has serious quality control issues. Tamron, however, responded.
This lens is quite sharp. It could definately be used for professional purposes. Sharp at 2.8 and much sharper above. After using this lens, the 17-40mm L, as well as the new EF-S 17-55mm, I can honestly say that Tamron beat out Canon in their own game in terms of quality for the money. Great optics, great range, affordable, and a SIX YEAR warranty, as opposed to Canon’s weak 1 year warranty. Buy me.
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|Best wide angle zoom lens.,
I tested canon 28-105 3.5-4.5, sigma 24-70 2.8, canon 50mm 1.8, canon 18-55 3.5-5.6. I would say this Tamron 17-50 2.8 is my dream lens. I bought canon 28-105 3.5-4.5 for the focal range but was very sad about its softness and returned it. Then I went to sigma. That’s a huge, heavy lens and very solid. Based on reviews, it should be very sharp. however, it was not true in my case. No matter how hard I tried, I never got sharp image. I guess I was not lucky enough to have a good copy and returned it in one week. Finally I bought Tamron 17-50mm 2.8. It surprised me from the very first picture. The sharpness is as good as canon 50mm 1.8 prime, the benchmark. Contrast is very good and color too. 7 blade aperture makes very nice blur background. I care so much about sharpness so the lens is my taste. The focusing is very accurate and fast enough, even though not as fast as sigma. Now I never touch canon 18-55 kit lens, the difference is huge. It’s true this lens has no IS. But for 17-50mm range, IS is not as useful as for tele lens. The price is excellent considering the top optical quanlity. Now I am feeling I am a pro.
))
The reasons I choose this lens are:
1. widest angle in the class(most important thing for 1.6X cropping factor sensor camera
2. Very sharp and top quanlity glass
3. light weighted and small and easy to carry
4. 7-blade aperture makes nice background(if you own canon 50mm 1.8 II, you will see its 5-blade aperture makes harsh background)
5. big constant 2.8 aperture through the whole range
6. excellent price
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|This len has lots of potential, but quality control is questionable,
I felt like I was taking a gamble when I bought this lens, because I was not able to find many reviews of it. Given that the equivalent Nikon was almost 3x the price, I decided to take a chance. At this point I still can’t give a solid thumbs up or down, so I opted to give it a 3. Here is a short history of my experience:
1) Bought lens from Amazon to use on my D50. It was a joy to have an f/2.8 zoom lens, but I was not totally convinced about the sharpness (which the few reviews I could find said was supposed to be really good). After comparing it to my other lenses and a rented Nikon 17-55 f/2.8 (great lens, but much bulkier and heavier), I determined that it front-focused so much that the subject would always be very slightly out of focus. It wasn’t obvious right away, because the front-focusing meant that the background went out of focus really quickly, making for a great depth-of-field effect. The heavily out of focus background essentially made the subject look more focused, even though it really wasn’t all that sharp. After much deliberation, I sent it back to Amazon to try another copy.
2) 2nd copy. This one was much sharper but back-focused, which I found to be even more annoying. This would manifest itself by someone’s eyes and nose being out of focus and their ears and hairline being razor sharp. After trying to force myself to live with it, I decided I couldn’t and sent it off to Tamron for calibration. Several people in lens forums mentioned that this did the trick, so I decided to give that a shot rather than send it back to Amazon (they were out of stock at the time anyway, so it made the decision easier).
3) Tamron told me that they were running slow, so it would take 5 weeks to calibrate it. Again weighing the extra $800 I’d have to pay to buy the Nikon, I decided to send it in. It actually took 8 weeks! And when I wrote them to inquire at the 7 week mark, they said they had no record of it. I think that was just because they had already shipped it, but it did scare me at first.
4) Calibrated lens. My first impression was wow, this thing really is sharp, and I was really glad that I has sent it back in. And that’s when I started noticing something strange… many of my shots were looking massively overexposed. I was out on a nice, evenly-lit overcast day, so I wasn’t able to figure out why the camera was having such a difficult time metering. After a few more shots, I realized that anything taken at an aperture smaller than f/2.8 would be overexposed, which led me to suspect a problem with the aperture blades. Sure enough, they were stuck wide open, so every picture was at f/2.8, regardless of the actual setting. At this point in the story, I was very unhappy.
5) Tamron customer service. I expressed my frustrations to them in an email over Christmas weekend, and I am happy to say that they responded positively the next business day. They gave me their Fedex #, so that I didn’t have to pay return shipping. They also promised that they would keep it for only 2 or 3 days and ship it back right away. That made me feel a little better.
6) ???? I have not received it back yet (should be soon), so I don’t have a final recommendation on this lens. My sense is that it will follow the “worth what you pay for it” adage. It will have taken a large investment of time (actually, waiting), but in the end I hope to have a pretty good lens at a relatively bargain price. There have been several times that I wanted to give up and just go buy the Nikon, but not being a professional, it’s really hard to justify paying $1200-1300 for a single lens.
Otherwise, the lens is really nice. It’s nice and compact for what it does, and what several have complained about as a “really loud focus noise” doesn’t seem bad to me at all. It does have some pretty serious distortion, especially at wide angle. It’s a complex moustache distortion which isn’t correctable with Photoshop’s built in correction. I did send in photos to the creator of PTLens, and he calibrated the lens and integrated it into the PTLens plugin (and standalone version). With that, your photos can be essentially distortion-free. It’s really impressive how well it works. Of course, I used the lens for weeks before I really noticed the distortion. I took a picture of brick wall and couldn’t believe how bad it was. Unless your photo has a continuous horizontal element, you’re unlikely to even notice this.
I wish my review could be more conclusive, but I’m feeling ambiguous at this point. Hope that this helps someone trying to decide on this lens.
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